<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1790601550528520520</id><updated>2012-02-16T08:56:22.266-08:00</updated><title type='text'>lo-fi tangents</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://lo-fitangents.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1790601550528520520/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://lo-fitangents.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>.</name><uri>http://www.blogger.com/profile/03849939507045795249</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1790601550528520520.post-2716192517725209254</id><published>2007-04-20T15:13:00.001-07:00</published><updated>2009-02-17T18:19:46.422-08:00</updated><title type='text'>all lo-fi tangents by anon</title><content type='html'>&lt;a href="http://anonom.livejournal.com/15476.html"&gt;3-iron (kim ki-duk 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/68366.html"&gt;13 tzameti (gela babluani, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/49288.html"&gt;16 blocks (richard donner, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/52113.html"&gt;28 weeks later (juan carlos fresnaillo, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/53407.html"&gt;the 40 year-old virgin (judd apatow, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/45155.html"&gt;300 (zack snyder, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/74539.html"&gt;abbey road (the beatles, 1969)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/22563.html"&gt;akai (carlos gananian, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/30093.html"&gt; all about love (joyce e. bernal, don cuaresma, jerry lopez sineneng, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/7879.html"&gt;amateur (hal hartley, 1994)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/85562.html"&gt;ambition (hal hartley, 1991)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/88322.html"&gt;angela (roberta torre, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/58628.html"&gt;apocalypse now (francis ford coppola, 1979)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/11319.html"&gt;are you the favorite person of anybody? (miguel arteta, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/27654.html"&gt;are we still married? (or stille nacht ii) (the brothers quay 1991)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/34490.html"&gt;as good as it gets (james l. brooks, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/16618.html"&gt;ash wednesday (edward burns, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/38987.html"&gt;at land (maya deren, 1944)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/83592.html"&gt;at the suicide of the last jew in the world in the last cinema in the world (david cronenberg, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/48786.html"&gt;au revoir, les enfants (louis malle, 1987)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/47089.html"&gt;the auteur (james westby, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/61810.html"&gt;babel (alejandro gonzález iñárritu, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/37094.html"&gt;the bakery girl of monceau (eric rohmer, 1963)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/34997.html"&gt;ballad of a soldier (grigori chukhrai ,1959)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/80512.html"&gt;bananas (woody allen, 1971)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/2661.html"&gt;bande à parte [ie, band of outsiders] (jean-luc godard, 1964)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/60039.html"&gt;be with me (eric khoo, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;before sunrise (richard linklater, 1995) &lt;a href="http://anonom.livejournal.com/56074.html"&gt;first tangent &lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/84936.html"&gt;second tangent&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;before sunset (richard linklater, 2004) &lt;a href="http://anonom.livejournal.com/56383.html"&gt;first tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/85083.html"&gt;second tangent&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/22033.html"&gt;behemoth (carlos g. gananian,  2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/75995.html"&gt;the bellboy (jerry lewis, 1960)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/14842.html"&gt;the best of youth (marco tullio giordana, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/34718.html"&gt;billy liar (john schlesinger, 1963)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/21663.html"&gt;bird (clint eastwood, 1988)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/60778.html"&gt;birthday boy (sejong park, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/38740.html"&gt;black tulips (richard stanley)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/91568.html"&gt;the blossoming of maximo oliveros (auraeus solito, 2005)  &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/57747.html"&gt;blue gate crossing (chin yen-yee, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/64153.html"&gt;breach (billy ray, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/25332.html"&gt;brick (rian johnson, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/49128.html"&gt;brokeback mountain (ang lee, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/1311.html"&gt;broken flowers (jim jarmusch, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/51504.html"&gt;bully (larry clark, 2001)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/14404.html"&gt;bunker 0: sumirib (jan philippe carpio, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/31648.html"&gt;the 'burbs (joe dante, 1989)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/88685.html"&gt;burden of dreams (les blank, 1982)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/24798.html"&gt;the cabinet of jan svankmajer (the brothers quay, 1984)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/10345.html"&gt;caché (michael haneke, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/28160.html"&gt;can't go wrong without you (or stille nacht iv) (the brothers quay, 1993)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/38358.html"&gt;capote (bennett miller, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/16082.html"&gt;caro diario (nanni moretti, 1993)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/44443.html"&gt;carpool (jerrold tarog)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/7996.html"&gt;cavite (neill dela llana,&lt;br /&gt;ian gamazon, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/76585.html"&gt;children of men (alfonso cuaron, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/28627.html"&gt;clerks ii (kevin smith, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/22383.html"&gt;coagula (carlos g. gananian, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/53817.html"&gt;the coast guard (kim ki-duk, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/43008.html"&gt;cobra verde (werner herzog, 1987)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/72942.html"&gt;coda: thirty years after (eleanor coppola, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/61386.html"&gt;la collectionneuse (eric rohmer, 1967)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/74006.html"&gt;the colonial friend (rachid bouchareb, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/27288.html"&gt;the comb (the brothers quay, 1991)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/86219.html"&gt;control (anton corbijn, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/21236.html"&gt;crash (paul haggis, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;crooked rain, crooked rain (pavement, 1994) &lt;a href="http://anonom.livejournal.com/37852.html"&gt;first tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/50242.html"&gt;second tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/63856.html"&gt;third tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/80190.html"&gt;fourth tangent&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/65644.html"&gt;crumb (terry zwigoff, 1994)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/6373.html"&gt;crying out love, in the center of the world (isao yukisada, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/30565.html"&gt;d' lucky ones (wenn v. deramas, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/17609.html"&gt;das rad (chris stenner, &lt;br /&gt;arvid uibel, &lt;br /&gt;heidi wittlinger, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/20191.html"&gt;david lynch's playstation 2 commercial (david lynch)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/29253.html"&gt;the dangers of sled riding (daniel johnston)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/54094.html"&gt;dangle (phil traill, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/9596.html"&gt;day of the fight (stanley kubrick, 1951)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/27396.html"&gt;de artificiali perspectiva, or anamorphosis (the brothers quay, 1991)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/66996.html"&gt;death proof (quentin tarantino, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/18285.html"&gt;deathdealer: a documentary (andy watts, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/87937.html"&gt;de ja vu (henry jaglom, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/54860.html"&gt;deja vu (tony scott, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/62695.html"&gt;the departed (martin scorsese, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/1890.html"&gt;the descent (neil marshall, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/28924.html"&gt;the devil and daniel johnston (jeff feuerzeig, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/2112.html"&gt;the devil's advocate (andrew neiderman, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/75490.html"&gt;disturbia (d.j. caruso 2007) &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/89592.html"&gt;the diving bell and the butterfly (julien schnabe, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/27087.html"&gt;dramolet (or stille nacht i) (the brothers quay, 1988)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/5977.html"&gt;the draughtman's contract (peter greenaway, 1982)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/3092.html"&gt;drifters (xiaoshuai wang, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/89229.html"&gt;eastern promises (david cronenberg, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/66219.html"&gt;the ecology of love (brian hill, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/15000.html"&gt;el bola (achero mañas, 2000)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/43358.html"&gt;electric shadows (jiang xiao, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/70040.html"&gt;eliana, eliana (riri riza, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/64900.html"&gt;emperor tomato ketchup (stereolab, 1996)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/26213.html"&gt;the epic of gilgamesh or this unnameable little broom (the brothers quay, 1985)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/5234.html"&gt;eraserhead (david lynch, 1977)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;evita [original london cast] (tim rice, andrew lloyd webber 1976) &lt;a href="http://anonom.livejournal.com/35792.html"&gt;first tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/61451.html"&gt;second tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/62883.html"&gt;third tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/74816.html"&gt;fourth tangent&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/4973.html"&gt;event horizon (paul w.s. anderson, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/81081.html"&gt;everything you always wanted to know about sex* (*but were afraid to ask) (woody allen, 1972)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/86671.html"&gt;evol (chris vincze, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/76278.html"&gt;the family jewels (jerry lewis, 1965)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/72330.html"&gt;feels so good (chuck mangione, 1977)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/46545.html"&gt;ferris bueller's day off (john hughes, 1986)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/70916.html"&gt;film by the sea (donal foreman, 2005)&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/46826.html"&gt;film geek (james westby, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/43717.html"&gt;final destination 3 (james wong, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/17937.html"&gt;the first three lives of stuart hornsley (leigh dana jackson, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/13845.html"&gt;flushed away (david bowers, &lt;br /&gt;sam fell, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/9920.html"&gt;flying padre (stanley kubrick, 1951)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/5857.html"&gt;the follow (wong kar wai, 2001)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/73075.html"&gt;for sale: baby shoes, never worn (ernest hemingway)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/49892.html"&gt;four brothers (john singleton, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/55715.html"&gt;four eyed monsters (arin crumley and susan brice, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/4084.html"&gt;free radicals (barbara albert, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/56954.html"&gt;ftrain (airon armstrong)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/24092.html"&gt;the funeral (abel ferrara, 1996)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/6730.html"&gt;funny face (stanley donen, 1957)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/1054.html"&gt;funny ha ha (andrew bujalski, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/29517.html"&gt;gallery of the weird (daniel johnston)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/39304.html"&gt;game of death (robert clouse, 1978)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/2375.html"&gt;the garden of heaven (han lee, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/42758.html"&gt;gasman (lynne ramsay, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/50782.html"&gt;get rich or die tryin' (jim sheridan, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/51010.html"&gt;the glass shield (charles burnett, 1994)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/59492.html"&gt;the godfather (francis ford coppola, 1972)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/59837.html"&gt;the godfather, part ii (francis ford coppola, 1972)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/84082.html"&gt;le grand voyage (ismaël ferroukhi, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;the great escape (blur, 1995) &lt;a href="http://anonom.livejournal.com/61995.html"&gt;first tangent &lt;/a&gt;,&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/63005.html"&gt;second tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/67074.html"&gt;third tangent&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/34290.html"&gt;guard duty (lucas mcnelly)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/22946.html"&gt;guima (oscar nava, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/33810.html"&gt;gummo (harmony korine, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/12973.html"&gt;h (jong-hyuk lee, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;la haine (mathieu kassovitz, 1995) &lt;a href="http://anonom.livejournal.com/81680.html"&gt;first tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/82978.html"&gt;second tangent&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/36236.html"&gt;a hard day's night (the beatles, 1964)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/24442.html"&gt;a hard day's night (richard lester, 1964)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/15756.html"&gt;hard-boiled (john woo, 1992)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/8876.html"&gt;he died with a felafel in his hand (richard lowenstein, 2001)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/72478.html"&gt;hearts of darkness (a filmmaker's apocalypse) (fax bahr, george hickenlooper, 1991)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/35491.html"&gt;heat (michael mann, 1995)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/60991.html"&gt;the hidden blade (yoji yamada, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/12155.html"&gt;the hills have eyes (alexandre aja, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/12410.html"&gt;a history of violence (david cronenberg, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/66760.html"&gt;hold up (madelein olnek, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/79072.html"&gt;the host (bong joon-ho, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/45377.html"&gt;hot fuzz(edgar wright, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/55447.html"&gt;i travelled 9000 km to give it to you (wong kar wai, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/40841.html"&gt;in cold blood (richard brooks, 1967)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/310.html"&gt;in the heat of the night (norman jewison, 1967)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/74414.html"&gt;indigenes (rachid bouchareb, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/16850.html"&gt;inja (steve pasvolsky, &lt;br /&gt;joe weatherstone 2001)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/64462.html"&gt;inland empire (david lynch, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/80830.html"&gt;inside man (spike lee, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/47999.html"&gt;the intervention (jay duplass, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/16351.html"&gt;the isle (kim ki-duk, 2000)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/29111.html"&gt;it must be monday (daniel johnston, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/43949.html"&gt;it's all around you (nick cross and helder mendonca, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/546.html"&gt;ivan's childhood/my name is ivan/etc (andrei tarkovsky, 1962)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/58412.html"&gt; la jetée (chris marker, 1962)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/68664.html"&gt;john q (nick cassavetes, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/79988.html"&gt;justice league: the new frontier (dave bullock, 2008)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/5613.html"&gt;the keys to the house (gianni amelio, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/6572.html"&gt;kids (larry clark, 1995)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/42671.html"&gt;kill the day (lynne ramsay, 1996)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/70535.html"&gt;killer of sheep (charles burnett, 1977)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/52698.html"&gt;kontroll (nimrod antal, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/19385.html"&gt;l'attente (lucas mcnelly, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/8554.html"&gt;l'enfant (jean-pierre dardenne,&lt;br /&gt;luc dardenne, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/71201.html"&gt;landscape in the mist (theo angelopoulos, 1988)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/54764.html"&gt;language extinction (jeffrey acaba, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/57188.html"&gt;lasershot (nico pueringer)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/10900.html"&gt;the last gag of buster quizon (khavn de la cruz)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/73652.html"&gt;the last man in brooklyn (roberto bentivegna, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/90041.html"&gt;last summer in the hamptons (henry jaglom, 1995)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/24940.html"&gt;the leopard (luchino visconti, 1963)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/91287.html"&gt;let's get started (azazel jacobs)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/87356.html"&gt;lick the star (sofia coppola, 1998)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/83937.html"&gt;the life acquatic with steve zissou (wes anderson, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/69519.html"&gt;linda linda linda (nobuhiro yamashita, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/49959.html"&gt;little miss sunshine (jonathan dayton and valerie faris, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/48183.html"&gt;long live philippine cinema! (raya martin, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/71721.html"&gt;a long weekend in pest and buda (karoly makk, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/75695.html"&gt;loulou (maurice pialat, 1980)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/83384.html"&gt;love and death (woody allen, 1975)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/67366.html"&gt;love in the afternoon (eric rohmer, 1972)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/11857.html"&gt;lovers (jean-marc barr, 1999)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/23239.html"&gt;the lullaby of guima (drei boquiren, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/53086.html"&gt;the machinist (brad anderson, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/90154.html"&gt;macho dancer (lino brocka, 1988)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/32464.html"&gt;the madness of king george (nicholas hytner, 1994)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/4435.html"&gt;the maltese falcon (john huston, 1941)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/2839.html"&gt;the man walking on snow (masahiro kobayashi 2001)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/58109.html"&gt;manhattan (woody allen, 1979)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/78509.html"&gt;marie antoinette (sofia coppola, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/84546.html"&gt;marty (delbert mann, 1955)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/19191.html"&gt;matt and curtis run into each other at sxsw (james m. johnston, david lowery, nick prendergast, yen tan, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/18529.html"&gt;maya lin: a strong clear vision (freida lee mock, 1994)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/44609.html"&gt;mean creek (jacob aaron estes, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/40129.html"&gt;meditation on violence (maya deren, 1948)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/8280.html"&gt;meetin' wa (jean-luc godard, 1986)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/3671.html"&gt;memento mori (tae-yong kim,&lt;br /&gt;kyu-dong min, 1999)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/36525.html"&gt;memories of murder (bong joon-ho, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/66516.html"&gt;men at work (mani haghighi, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/38617.html"&gt;meshes of the afternoon (maya deren and alexander hammid, 1943)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/65852.html"&gt;the middle of the world (vincente amorim, 2003)&lt;/a&gt; &lt;br/&gt;&lt;br/&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/20921.html"&gt;million dollar baby (clint eastwood, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/51406.html"&gt;millions (danny boyle, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/26016.html"&gt;mission:  impossible iii (j.j. abrams, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/69353.html"&gt;mister wonderful (daniel clowes)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/79765.html"&gt;mo' better blues (spike lee, 1990)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/70715.html"&gt;mongolian ping pong (hao ning, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/81209.html"&gt;monster thursday (arlid ostin ommundsen, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/15316.html"&gt;more (mark osborne, 1998)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/87793.html"&gt;the mother and the whore (jean eustache, 1973)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/17333.html"&gt;mt. head (koji yamamura, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/71942.html"&gt;mujhse dosti karoge! (kunal kohli, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/54366.html"&gt;mutual appreciation (andrew bujalski, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/73867.html"&gt;my blueberry nights (wong kar wai, 2007) &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/48499.html"&gt;my dinner with andre (louis malle, 1981)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/23940.html"&gt;my generation (dong-seok no, 2004&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/31085.html"&gt;my life...disoriented (eric byler, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/14248.html"&gt;the naked kiss (samuel fuller, 1964)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/20578.html"&gt;nicotine (kharil m. bahar)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/87073.html"&gt;nothing but a man (michael roemer, 1964)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/89780.html"&gt;nothing serious (renaud philipps, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/33705.html"&gt;oasis (lee chang-dong, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/65332.html"&gt;ok computer (radiohead, 1997)&lt;/a&gt; &lt;br/&gt;&lt;br/&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/88202.html"&gt;once (john carney, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/23560.html"&gt;the outlaw son [cut 1e] (david lowery)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/86415.html"&gt;the outsiders (francis ford coppola, 1983)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/77727.html"&gt;paris, je t'aime (2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/21937.html"&gt;pelle the conqueror (billie august, 1988)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/78115.html"&gt;peoples house (andrew bujalski, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/68114.html"&gt;perfect blue (satoshi kon, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/41206.html"&gt;pickpocket (robert bresson, 1959)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/45602.html"&gt;planes, trains and automobiles (john hughes, 1987)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/25501.html"&gt;'plano (antoinette jadaone, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/19817.html"&gt;premonitions of an evil deed (david lynch , 1996)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/37171.html"&gt;presentation, or charlotte and her steak (eric rohmer, 1951)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/57494.html"&gt;prison warz (declan mulvey)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/40472.html"&gt;the private life of a cat (alexander hammid, 1944)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/77032.html"&gt;prom night (nelson mccormick, 2008)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/56810.html"&gt;the protector (aka tom yum goong)(pracya pinkaew&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/7267.html"&gt;psycho (alfred hitchcock, 1960)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/47137.html"&gt;the puffy chair (jay duplass, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/78605.html"&gt;raise the red lantern (zhang yimou, 1991)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/42125.html"&gt;ratcatcher (lynne ramsay, 1999)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/86995.html"&gt;regular lovers (philippe garrel, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/26718.html"&gt;rehearsals for extinct anatomies (the brothers quay, 1988)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/55044.html"&gt;return of the dragon (aka way of the dragon) (bruce lee, 1972)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/70194.html"&gt;rice people (rithy panh, 1994)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/39870.html"&gt; ritual in transfigured time (maya deren, 1945-6) &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/49630.html"&gt;rio bravo (howard hawks, 1959)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/3522.html"&gt;robot boy (ted passon, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/36003.html"&gt;rubber soul (the beatles, 1965)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/31383.html"&gt;rv (barry sonnenfeld, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/44152.html"&gt;ryhthm in unison (jerrold tarog)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/829.html"&gt;the sacrifice (andrei tarkovsky, 1986)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/16940.html"&gt;sangam (prashant bhargava, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/47654.html"&gt;scrapple (jay duplass and mark duplass, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/76540.html"&gt;scoop (woody allen, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/4150.html"&gt;shaun of the dead (edgar wright, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/13125.html"&gt;save me (paul thomas anderson, 1999)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/30873.html"&gt;saw (james wan, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/25724.html"&gt;saw ii (darren lynn bousman, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/41963.html"&gt;saw iii (darren lynn bousman, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/67905.html"a scanner darkly (richard linklater, 2006)&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/41683.html"&gt;the science of sleep (michel gondry, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/65101.html"&gt;sgt. pepper's lonely hearts club band (the beatles, 1967)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/63312.html"&gt;sherman's march (ross mcelwee, 1986)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/23350.html"&gt;the shop on main street (jan kadar and elmar klos, 1965)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/11657.html"&gt;simple men (hal hartley, 1992)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/46138.html"&gt;sixteen candles (john hughes, 1984)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/82531.html"&gt;sleeper (woody allen, 1973)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/42367.html"&gt;small deaths (lynne ramsay, 1996)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/82822.html"&gt;small time crooks (woody allen, 2000)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/13386.html"&gt;solaris (andrei tarkovski, 1972)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/20449.html"&gt;some like it white (kharil m. bahar)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/55976.html"&gt;the sopranos (david chase, etc., 1999-2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/12648.html"&gt;the spirit of the beehive (victor erice, 1973)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/84276.html"&gt;stardust memories (woody allen, 1980)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/33100.html"&gt;the sterile cuckoo (alan j. pakula, 1969)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/18927.html"&gt;still (david lowery, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/90668.html"&gt; stray cats (ellen ongkeko-marfil, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/26370.html"&gt;street of crocodiles (the brothers quay, 1986)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/39651.html"&gt;a study in choreography for camera (maya deren and talley beatty, 1945)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/90403.html"&gt;sunflower (zhang yang, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/17770.html"&gt;superstar:  the karen carpenter story (todd haynes, 1987)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/82292.html"&gt;surviving desire (hal hartley, 1991)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/28087.html"&gt;tales from the vienna woods (or stille nacht iii) (the brothers quay, 1992)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/91802.html"&gt;taxi driver (martin scorsese, 1976)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/32712.html"&gt;tekken the motion picture (kunihisa sugishima, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/85339.html"&gt;theory of achievement (hal hartley, 1991)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/62431.html"&gt;there's only one sun (wong kar wai, 2007)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/36807.html"&gt;terror twilight (pavement, 1999)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/32074.html"&gt;the texas chain saw massacre (tobe hooper, 1974)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/47555.html"&gt;this is john (jay duplass, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/31866.html"&gt;this thing of ours (danny provenzano, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/79570.html"&gt;a thousand words (melba williams, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/52835.html"&gt;three times (hou hsiao hsien, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/9170.html"&gt;time out (robbie chafitz, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/7599.html"&gt;to catch a thief (alfred hitchcock, 1955)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;to each his own cinema  &lt;br /&gt;-&lt;a href="http://anonom.livejournal.com/55447.html"&gt;[i travelled 9000 km to give it to you (wong kar wai, 2007)]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/44941.html"&gt;to sleep with anger (charles burnett, 1990)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/56810.html"&gt;tom yum goong (aka the protector) (prachya pinkaew, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/10661.html"&gt;toxic mango (khavn de la cruz, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/82116.html"&gt;trust (hal hartley, 1990)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/60325.html"&gt;two cars, one night (taika waititi, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/4801.html"&gt;two of us (michael lindsay-hogg, 2000)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/37918.html"&gt;two solutions for one problem (abbas kiarostami, 1975)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/10189.html"&gt;ulee's gold (victor nuñez, 1997)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/9403.html"&gt;the umbrellas of cherbourg (jacques demy, 1964)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/19672.html"&gt;the unbearable lightness of being (philip kaufman, 1988)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/58334.html"&gt;the unbelievable truth (hal hartley, 1989)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/45907.html"&gt;uncle buck (john hughes, 1989)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/51727.html"&gt;under (donal foreman, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/6919.html"&gt;unusual occupations (george brandt, 1945)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/32877.html"&gt;the vagina monologues (eve ensler, 2002)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/91095.html"&gt;venice/vencie (henry jaglom, 1992)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/67801.html"&gt;véronique and her dunce (eric rohmer, 1958)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/40213.html"&gt;the very eye of night (maya deren, 1952-59)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/69653.html"&gt;vibrator (ryuichi hiroki, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/85881.html"&gt;violent cop (takeshi kitano, 1989)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/68941.html"&gt;volver (pedro almodovar, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/21388.html"&gt;war of the worlds (steven spielberg, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/73428.html"&gt;the way i spent the end of the world (catalin mitulescu, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/55044.html"&gt;way of the dragon (aka return of the dragon) (bruce lee, 1972)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/53616.html"&gt;where the truth lies (atom egoyan, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/30220.html"&gt;white lady (jeff tan, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/60658.html"&gt;who's camus anyway? (mitsuo yanagimachi, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;we own the night (james gray, 2007)&lt;a href="http://anonom.livejournal.com/63500.html"&gt;first tangent &lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/77409.html"&gt;second tangent&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/71468.html"&gt;the weeping meadow (theo angelopoulos, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/88998.html"&gt;werner herzog eats his shoe (les blank, 1980)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/79284.html"&gt;wilby wonderful (daniel macivor, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/77292.html"&gt;wild at heart (david lynch, 1990)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/52473.html"&gt;winning (catherine annau, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/75231.html"&gt;the wire (david simon)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/59152.html"&gt;wishing stairs (jae-yeon yun, 2003)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/11166.html"&gt;the world of jacques demy (agnès varda, 2005)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;wowee zowee (pavement, 1995) &lt;a href="http://anonom.livejournal.com/37405.html"&gt;first tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/50591.html"&gt;second tangent&lt;/a&gt;, &lt;a href="http://anonom.livejournal.com/64643.html"&gt;third tangent&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/1711.html"&gt;the x-files (rob bowman, 1998)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/58940.html"&gt;yi yi (edward yang, 2000)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/29933.html"&gt;you are the one (cathy garcia-molina, 2006)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/81586.html"&gt;youngster (will canon, 2004)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://anonom.livejournal.com/35209.html"&gt;zodiac (david fincher, 2007)&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1790601550528520520-2716192517725209254?l=lo-fitangents.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://lo-fitangents.blogspot.com/feeds/2716192517725209254/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1790601550528520520&amp;postID=2716192517725209254' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1790601550528520520/posts/default/2716192517725209254'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1790601550528520520/posts/default/2716192517725209254'/><link rel='alternate' type='text/html' href='http://lo-fitangents.blogspot.com/2007/04/all-lo-fi-tangents-by-anon.html' title='all lo-fi tangents by anon'/><author><name>.</name><uri>http://www.blogger.com/profile/03849939507045795249</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
